| INTRODUCTION |
| CHAPTER 1---GETTING STARTED |
| Lesson 1: Getting to Know Your Tools |
| Lesson 2: The Notes on the Fretboard |
| Lesson 3: Read Some TAB, Play Some Tunes |
| River's Up, Can't Go Across |
| This One's Got Spots |
| Mary Had a Border Collie |
| Lesson 4: Your First Chords |
| Cabbage Seeds |
| Lesson 5: Changing Chords |
| Roast Them Rutabagas |
| Windy Grove |
| CHAPTER 2---READING STANDARD MUSIC NOTATION |
| Lesson 1: The Notes and the Staff |
| Lesson 2: Natural Notes on the 1st String |
| Lesson 3: Time |
| Lesson 4: Natural Notes on the 2nd String |
| Cumberland Gap |
| Lesson 5: Rests |
| Lesson 6: Natural Notes on the 3rd String |
| Lesson 7: Eighth Notes |
| Lesson 8: Natural notes on the 4th String |
| Lesson 9: Dotted Notes |
| Lesson 10: Sharps and Flats |
| Ooooh...Creepy! |
| Theme from Invention No. 4---J.S. Bach BWV 775 |
| Lesson 11: Key Signatures |
| Raise a Glass for Pythagoras |
| Lesson 12: 1st and 2nd Endings |
| Marching off to Litchfield |
| Lesson 13: Refining Your Strumming |
| Boil Them Cabbage Down |
| CHAPTER 3---FIDDLE-TUNE STYLE: THE ROOTS OF BLUEGRASS |
| Lesson 1: D Major Scale; Your First D Tune |
| Old Liza Jane |
| Lesson 2: Alternate Picking |
| Soldier's Joy |
| Lesson 3: Connecting the Dots with Passing Tones |
| Soldier's Joy (Variation with Passing Tones) |
| Lesson 4: Drones and Shuffles |
| Mississippi Sawyer |
| Lesson 5: A Tunes and Unison Doubles |
| Old Joe Clark |
| Lesson 6: The Modal Sound of the A Minor Pentatonic Scale |
| Cluck Old Hen (High) |
| Cluck Old Hen (Low) |
| Lesson 7: The Key of G Major; Hammer-Ons and Pull-Offs |
| Miss McLeod's Reel/Hop High Ladies/Uncle Joe |
| Lesson 8: Waltz-Time Strumming and Melody |
| Amazing Grace |
| Lesson 9: Sixteenth Notes; Tremolo |
| Greensleeves |
| CHAPTER 4---THE BLUES |
| Lesson 1: Basic Blues Theory |
| Lesson 2: The 12-Bar Blues |
| Lesson 3: Memorizing the 12-Bar Blues |
| Lesson 4: Blues Rhythm |
| Blues Boogie in G |
| Lesson 5: Blues Improvisation with the Minor Pentatonic Scale |
| Lesson 6: Blues Improvisation with the G Blues Scale and Slides |
| Louie's Got the Bluie and Yank's at the Bank |
| CHAPTER 5---BLUEGRASS |
| Lesson 1: Bluegrass Rhythm |
| This Hammer's Too Heavy |
| Lesson 2: Bluegrass Lead |
| Come on and Sit on Top of My Kitchen Counter |
| Lesson 3: Transposition |
| Lesson 4: More Moveable Chords |
| This Hammer's Too Heavy (in A) |
| Lesson 5: Bluegrass Blues in A |
| Bluegrass 12-Bar Blues in A |
| Bluegrass 12-Bar Blues in A (Lead Break) |
| Lesson 6: Bluegrass in a Minor Key |
| Dark on the Drive Home |
| Lesson 7: Kickoffs and Tags |
| CHAPTER 6---ROCK MANDOLIN |
| Lesson 1: Rock 'n' Roll Folk Strumming |
| The Long Forgotten Daze of My Youth |
| The Battle of the Elves, Dragons and Rock Vocalists |
| Lesson 2: Arpeggiating Chords |
| The Long Forgotten Daze of My Youth (Arpeggio Chords) |
| The Battle of the Elves, Dragons and Rock Vocalists (Arpeggio Chords) |
| Lesson 3: Rock Mandolin Improv |
| The Long Forgotten Daze of My Youth (Solo) |
| The Battle of the Elves, Dragons and Rock Vocalists (Solo) |
| APPENDIX 1---THE ELEMENTS OF MUSIC |
| Lesson 1: The Major Scale |
| Lesson 2: The Circle of 5ths |
| Lesson 3: Intervals |
| Lesson 4: Fingerings for Intervals |
| Lesson 5: Harmony and Chords |
| Lesson 6: Musical Expression |
| APPENDIX 2---GUIDE FINGERS |
| APPENDIX 3---CHORD FORMS |
| APPENDIX 4---HOW TO PRACTICE |
| "Home base" Technique; When and What |
| Organizing a Practice Session |
| Buy a Metronome |
| ABOUT THE AUTHOR |
| INTRODUCTION |
| CHAPTER 1---REVIEW: READING MUSIC |
| Lesson 1: Pitch |
| Lesson 2: Time |
| Lesson 3: Tablature |
| CHAPTER 2---REVIEW: SCALES AND CHORDS |
| Lesson 1: Major Scales |
| Lesson 2: Chords |
| CHAPTER 3---DEVELOPING TECHNIQUE |
| Lesson 1: Building Speed and Agility |
| Lesson 2: Improving Hammer-Ons and Pull-Offs |
| Lesson 3: Improving Tremolo |
| Air on the Side of Caution |
| Lesson 4: Slides |
| Sign Says "Gone Noodling" |
| Lesson 5: Crosspicking |
| Turkey in the Straw (Crosspicking) |
| Lesson 6: McReynolds-Style Rolls and Picking Patterns |
| Long Lonesome Road (Crosspicking) |
| CHAPTER 4---BETTER PICKING THROUGH FIDDLE TUNES |
| Lesson 1: How to Learn Folk Music |
| Lesson 2: Cut Time |
| Fire on the Mountain |
| Lesson 3: Sally Goodin |
| Sally Goodin (Standard Two-Part Version) |
| Sally Goodin Variation No. 1 |
| Sally Goodin Variation No. 2 |
| Sally Goodin Variation No. 3 |
| Sally Goodin Variation No. 4 |
| Lesson 4: "Kitchen Gal" |
| Kitchen Gal |
| Lesson 5: "Leather Britches" |
| Leather Britches |
| Lesson 6: "Seneca Square Dance" |
| Seneca Square Dance |
| Lesson 7: "Johnny Don't Get Drunk" |
| Johnny Don't Get Drunk |
| Lesson 8: A Rag in C Major |
| Orville and Lloyd's Rag |
| Lesson 9: Jigs |
| Money in Both Pockets |
| Scatter the Mud |
| CHAPTER 5---BACK TO BLUEGRASS |
| Lesson 1: Improving Rhythm Playing |
| Free Little Bird |
| Lesson 2: Lead Backup Playing |
| Free Little Bird---Lead Backup |
| Lesson 3: Bluegrass Lead---Melodic Breaks |
| Free Little Bird---Melodic Break |
| Lesson 4: Bluegrass Lead---Improvised Breaks |
| Free Little Bird---Improvised Break |
| CHAPTER 6---WORKING UP THE NECK |
| Lesson 1: Moveable Major Scales |
| This Hammer's Still Too Heavy |
| Lesson 2: Major Scale Harmony Review |
| Lesson 3: Double Stops---3rds |
| San Antonio Sunrise |
| Lesson 4: Double Stops---6ths |
| Mandohula Sunset |
| Lesson 5: Arpeggios---Major, Minor and Diminished Triads |
| Saturday Night at the Gulag Arpeggio |
| Lesson 6: Arpeggios---Augmented Triads and Seventh Chords |
| Lesson 7: The Natural Minor Scale and the Relative Minor |
| Toulouse Lautrec |
| CHAPTER 7---BLUES AND BLUEGRASS IMPROV UP THE NECK |
| Lesson 1: Moveable Dominant 7 Chords |
| Blues in My Bee Bonnet (or, Bees in My Blue Bonnet) |
| Lesson 2: The Minor Pentatonic Scale |
| Lesson 3: Connecting the Fingerings |
| You Won't B-Minor Forever |
| Lesson 4: The Major Pentatonic Scale |
| Lesson 5: Comparing and Combining the Major and Minor Pentatonic Sounds |
| Key to the High School---Solo No. 1 (Major Pentatonic) |
| Key to the High School---Solo No. 2 (Minor Pentatonic) |
| Key to the High School---Solo No. 3 (Major and Minor Pentatonic) |
| CHAPTER 8---A TASTE OF SWING AND JAZZ MANDOLIN |
| Lesson 1: Swing Rhythm Playing |
| Swing by Your Thumbs (Simple Rhythm Chords) |
| Lesson 2: Cool Swing Chords---Maj7, Min7 and 6 |
| Swing by Your Thumbs (Cool Swing Chords) |
| Lesson 3: Melody and Improvisation |
| Swing by Your Thumbs (Melody) |
| CHAPTER 9---NEW RHYTHMS AND SOUNDS |
| Lesson 1: Funk on the Mandolin |
| Ooh, That Some Funky Mando! |
| Lesson 2: The Grooves of New Orleans |
| Bo Man Diddley Blues |
| Lesson 3: Reggae on the Mandolin |
| How A'You Gonna Play Dat Mando-Leen? |
| CHAPTER 10---A TASTE OF BRAZIL |
| Lesson 1: Brazilian-Style Rhythm Playing |
| Mandolin Jake (Chords and Rhythm) |
| Lesson 2: Brazilian-Style Lead Playing |
| Mandolin Jake (Melody) |
| ABOUT THE AUTHOR |
| INTRODUCTION |
| CHAPTER 1---WARM-UPS |
| Exercises for the Left Hand |
| Working Fingers in Pairs |
| Right-Hand Exercises |
| PART ONE---HARMONY |
| CHAPTER 2---IMPORTANT CHORDS |
| Extended Major Chords |
| Extended Minor Chords |
| Extended Dominant Chords |
| Diminished 7th Chords |
| Other Important Chords |
| Altered Chords |
| Chord Reference Charts |
| Finding Other Voicings |
| CHAPTER 3---CHORD PROGRESSIONS |
| Blues Forms |
| 8-Bar Blues |
| 12-Bar Blues |
| 16-Bar Blues (1st Variation) |
| 16-Bar Blues (2nd Variation) |
| 24-Bar Blues |
| 12-Bar Blues in G |
| Almost Time |
| Blues Grass Ramble |
| Jazz---Rhythm Changes |
| Rhythm Changes (Basic) |
| Rhythm Changes---Swing |
| Rhythm Changes---Bebop |
| Rhythm Changes (Tritone Substitution) |
| Anthromorphology |
| Criminal Satisfaction |
| Chord Substitution |
| Rollin' in My Sweet Baby's Arms (Straight) |
| Rollin' in My Sweet Baby's Arms (Tritone Substitution) |
| Rollin' In My Sweet Baby's Arms (Minor 3rd Substitution) |
| Rollin' in My Sweet Baby's Arms (Dim7 Substitution) |
| CHAPTER 4---CHORD/MELODY |
| Mississippi Sawyer (Melody) |
| Creating a Chord/Melody |
| Mississippi Sawyer (Jethro Style) |
| PART TWO---MELODY |
| CHAPTER 5---SCALES AND MODES |
| Generating the Modes from a Parent Scale |
| The Relative View |
| The Parallel View |
| Mode Characteristics and Fingerings |
| Using the Modes |
| The Rights of Man |
| Drunken Sailor |
| June Apple |
| Over the Waterfall |
| Pentatonic Scales |
| Spootiskerry Reel |
| The Blues Scale |
| The Whole-Tone Scale |
| The Chromatic Scale |
| The Five Basic Scale Types Every Mandolin Player Should Know |
| PART THREE---RHYTHM |
| CHAPTER 6---EXPLORING TIME SIGNATURES |
| Review of Compound Meter |
| A Trip to the Cottage |
| Banish Misfortune |
| The Butterfly |
| Dan O'Keefe's Slide |
| Odd Meters |
| 5-Time Waltz |
| Sillyfjord |
| CHAPTER 7---MELODIC RHYTHM |
| Soldier's Joy |
| Soldier's Joy---Waltz |
| Soldier's Joy---Jig |
| PART FOUR---PUTTING IT ALL TOGETHER |
| CHAPTER 8---IMPROVISATION |
| Raking Leaves No. 1 |
| Raking Leaves No. 2 |
| Raking Leaves No. 3 |
| Raking Leaves No. 4 |
| Raking Leaves No. 5 |
| Raking Leaves No. 6 |
| CHAPTER 9---FINDING MATERIAL FROM AROUND THE WORLD |
| Old French (Canada) |
| Simo Ligeri |
| WRAPPING UP---FINAL THOUGHTS AND SUGGESTIONS |